Tungbin

The essence comes from the sea, the finesse from human hands. - Tôn Nữ Xuân Quyên, founder of @blusaigon

Carrying that spirit, The Sea, Cut Into Light is a fashion editorial inspired by mother-of-pearl inlay, the craft in which the sea's treasures are cut into fragments, pieced back together and preserved by hand.

Seen through a young soul, the project does not treat the craft as distant heritage but as a memory still growing. Every piece of nacre carries light, time, memory and traces of the ocean. Every cut is slow, patient and full of respect.

In the contrast between the young soul and the artisan, the sea takes on a new form. Through photography and lacquer inlaid with mother-of-pearl, the work places the young soul at the center of the craft's memory, as someone who receives it and carries it forward. Handcraft is seen not as the past but as a living current, passed from one generation to the next.

She doesn't remember the first time she saw the sea,
only that some shells reflected light,
and the grown-ups said: to keep the sea, you must learn to cut it slowly.
She does not make the sea sound.
She keeps its light.

Echoes of the Hands is about a sound that has never been struck, only listened for through the artisan's hands. The drum in these pictures is in no hurry to sound. It chooses silence, like a body waiting to be named.

The drum stands still, holding its pauses. The stillness is not empty but compressed, a place where sound is kept deep before it takes shape and voice.

At the moment of tuning, every sense gathers in the artisan's ears and hands. Listening, not force, decides everything. The skin is stretched little by little, the ropes pulled tight, each vibration so small it can only just be felt. Fine sawdust falls onto the hands and records that fragile tremor, like sand slipping through an hourglass in a room that must stay slow and completely still.

Once the form is complete, the drum begins to hold its sound for itself. In the final spray-painting stage the feeling is released. The precision remains, and with it comes pride: the long silence breaks and the artisan knows the drum is ready to speak.

Throwing sawdust into the air is a deeply human gesture, a quiet victory. The particles fly out, echo and fall back, closing a journey in which drum and artisan are no longer separate but share one breath.

It was in my dream checklist to create a fashion moodboard and have it on magazine. - Lydie

This editorial was born from Lydie's dream: to reimagine the Vietnamese woman through the lens of fashion.

Each of the four looks is a dialogue between memory and modernity, capturing her softness, strength and quiet confidence.

The beauty of Vietnamese women isn't about perfection, but about how they evolve while staying true to themselves. Here, fashion becomes a language to tell their story: timeless, graceful and ever-changing.